Radhika Apte () (born 7 September 1985) is an Indian film and television actress. She began acting in theatre and made her film debut with a brief role in the fantasy drama Vaah! Life Ho Toh Aisi! (2005). Her first lead role was in the 2009 Bengali drama Antaheen. She gained attention for her supporting roles in three of her 2015 Bollywood productions: the revenge drama Badlapur, the comedy Hunterrr, and the biographical film Manjhi - The Mountain Man. Her leading roles in the 2016 independent films Phobia and Parched earned her acclaim.
In 2018, Apte starred in three Netflix productions – the anthology film Lust Stories, the thriller series Sacred Games, and the horror mini-series Ghoul. She was nominated for an International Emmy Award for her work in the first of these, becoming the first Indian actress to do so. She then starred in the Netflix films Raat Akeli Hai (2020) and Monica, O My Darling (2022), and portrayed Noor Inayat Khan in the American film A Call to Spy (2019). Her performance in Sister Midnight (2024) earned her a nomination for a British Independent Film Award.
In addition to her work in independent films, Apte has also played the leading lady in mainstream films, such as the Tamil action film Kabali (2016), the Hindi biographical film Pad Man (2018), and the Hindi black comedy Andhadhun (2018), all of which were commercially successful. She has been married to London-based musician Benedict Taylor since 2012.
While growing up in Pune, Apte trained under Kathak exponent, Rohini Bhate, for eight years. It was during this time that Apte became involved in theatre in Pune, and decided to go to Mumbai to join films. However, a few months later, Apte got discouraged by her experience in Mumbai and returned to her family in Pune. Apte recounted these times in an interview with Scoop Whoop in 2018, as a learning yet demoralising experience, wherein she managed with a salary of 8,000 to 10,000 from theatre roles and having to put up with odd landlords and roommates in Goregaon, where she lived as a paying guest. During this time, Apte acted in her first movie, a Marathi film called Gho Mala Asala Hawa (2009). After this she acted in Rakta Charitra, Rakta Charitra 2, and I am.
On returning to Pune, Apte made an overnight decision of going to London for a year, where she studied contemporary dance at London's Trinity Laban Conservatoire of Music and Dance for a year. Apte said her experience in London was life-changing, as she was exposed to a completely different and liberating way of working professionally. There she met her future husband Benedict Taylor, who subsequently moved to Pune with her, travelling regularly to Mumbai for his work while Apte still did not want to return to Mumbai because of her earlier experience. After a year, she finally agreed to move to Mumbai, and her second experience in Mumbai was far more positive, as she no longer felt lonely.
In 2009, Apte had her first Indian release, KBC productions' Gho Mala Asla Hava by Sumitra Bhave and Sunil Sukthankar, in which she appeared as Savitri, a village girl. She later collaborated with Bhave and Sukthankar again on the Hindi docufiction Mor Dekhne Jungle Mein. It was in that year that she also worked on Jatin Wagle's Ek Indian Manoos, Akash Khurana's Life Online, about "a bunch of youngsters working in a BPO" and Amol Palekar's Indian film, Samaantar. In 2010, she was seen in Maneej Premnath's thriller The Waiting Room and later, appeared in a significant role in Ram Gopal Varma's Rakta Charitra. On returning from London, Apte was offered a role in a large blockbuster production Hindi film, but was (in her words) kicked out of it, because they felt she was too fat to be in that film.
In 2013, she was seen in the Bengali film Rupkatha Noy. About her character, she said, "I play Sananda, an IT engineer, who is a single mother of a three-year-old child. Sananda had a dreadful past, which keeps haunting her". Apte's first four 2014 releases were Postcard, Pendulum, Legend and Vetri Selvan in three languages – Bengali, Telugu and Tamil, respectively—after which another film of hers, Lai Bhaari, released. Pendulum, which was described by Apte as a "story on magic realism which takes you through multiple layers of parallel realities, or apparent realities", had her playing a working woman in a relationship with a younger man, while in Vetri Selvan, she had played the role of a lawyer. Legend and Lai Bhaari were commercial successes, the latter breaking the opening weekend box office record and becoming the highest grossing Marathi film of all time.
In 2015, Apte gained wider recognition for her roles in six feature films released in the first eight months. In the year's first release, Sriram Raghavan's Badlapur, she had a minor supporting role, for which she shot for six days. Despite appearing only briefly in the latter part of the film, she was widely recognized and appreciated for her performance, with several critics stating that she stood out in the ensemble cast. Rediff's Raja Sen, in particular, wrote that she was "sensational" and featured in "possibly the film's finest" moment. Following a Malayalam release, Haram, her first in the language, and a Telugu release, Lion, she had her next Hindi release, the sex comedy Hunterrr directed by Harshvardhan Kulkarni. Although the film opened to mixed reviews, Apte again earned praise for her performance. While Shubha Shetty-Saha from mid-day.com described her as "excellent in an absolutely realistic role", Filmfare's Rachit Gupta wrote, "While you're at it, hand one (award) to Radhika Apte...She really comes into her own, in a character that's unconventional and full of surprises". With Badlapur and Hunterrr both achieving commercial success and winning Apte critical acclaim, she grew in popularity, breaking into the mainstream Bollywood scene, with the media dubbing her the "latest sensation of Bollywood", Bollywood's new "go-to girl" and the "new constant in Indian cinema". HuffPost India wrote, "Radhika Apte is on her way to stardom, whether she likes it or not". In late August, two more Hindi films of her, Ketan Mehta's critically acclaimed biogeographical film Manjhi - The Mountain Man, based on Dashrath Manjhi, featuring Apte as Manjhi's wife Falguni Devi, and Kaun Kitne Paani Mein, a satire on water scarcity featuring Apte as an agriculture graduate, released a week apart. Her next film was the Tamil mob film-drama Kabali, in which she was featured as the wife of Rajinikanth. Upon the release, her performance received positive feedback from critics, and the film proved to be a major commercial success as well.
In 2018, Apte co-starred with Akshay Kumar in R. Balki's comedy-drama Pad Man, based on a short story in Twinkle Khanna's book, The Legend of Lakshmi Prasad. It is inspired by the life of Arunachalam Muruganantham from Tamil Nadu, who campaigned for menstrual hygiene in rural India. Apte's role was that of a shy homemaker whose husband (Kumar) invents low-cost sanitary napkins. Saibal Chatterjee of NDTV wrote, "Radhika Apte is, as always, a scene-stealer. She contributes majorly to ensuring that the exchanges between the protagonist and his wife do not veer into corniness."
Apte made her directorial debut with The Sleepwalkers, starring Gulshan Devaiah and Shahana Goswami. The Sleepwalkers is in competition at the Palm Springs International ShortFest 2020, under the Best Midnight Short category.
Among Apte's upcoming films are three Hindi language projects, The Field, the feature debut of Rohit Karn Batra, Leena Yadav's Parched, a U.S.-Indian co-production, and Bombairiya, an Indo – British production and a Tamil project, Ula.
Apte has spoken out against sexual harassment in the Indian film industry. She supported the MeToo movement in India, stating that she was hopeful that it could bring about a change if enough major industry figures were to participate. #MeToo: Why sexual harassment is a reality in Bollywood BBC News 28 April 2018
+ List of Radhika Apte film credits | |||||
2005 ! scope="row" | Vaah! Life Ho Toh Aisi! | Anjali | Hindi | ||
2009 ! scope="row" | Antaheen | Brinda | Bengali language | ||
2010 ! scope="row" | The Waiting Room | Tina | Hindi | ||
Hindi | |||||
Hindi | |||||
2011 ! scope="row" | I Am | Natasha | Segment: "Abhimanyu" | ||
2012 ! scope="row" rowspan="2" | Dhoni | Nalini | Tamil language | Bilingual film | |
Telugu | |||||
2013 ! scope="row" | Rupkatha Noy | Sananda | Bengali | ||
2014 ! scope="row" | Pendulum | Nandita | Bengali | ||
2015 ! scope="row" | Badlapur | Kanchan Khatri "Koko" | Hindi | ||
2016 ! scope="row" | Parched | Lajjo | |||
2017 ! scope="row" | Madly | Archana | Hindi | Segment: "Clean Shaven" | |
2018 ! scope="row" | Pad Man | Gayatri Chauhan | |||
2019 ! scope="row" | Bombairiya | Meghna | |||
2020 ! scope="row" | Raat Akeli Hai | Radha | Hindi | ||
2022 ! scope="row" | Forensic | SI Megha Sharma | |||
2023 ! scope="row" | Mrs Undercover | Durga | |||
2024 ! rowspan="2" scope="row" | Merry Christmas | Rosie | Cameo appearance | ||
Hindi / Tamil | |||||
2025 ! scope="row" | Last Days | Meera Ganali | English |
+ List of Radhika Apte theatrical credits | |||
2003 ! scope=row | Nako Re Baba | ||
2003 ! scope=row | Pan Amhala Khelayachay | Marathi | |
2003 ! scope=row | Brain Surgeon | English | British play |
2006 ! scope=row | Shobha Yatra | Marathi | |
2006 ! scope=row | Tu | Marathi | |
2007 ! scope=row | That Time | English | British play |
2007 ! scope=row | Poornaviram | Marathi | |
2007 ! scope=row | Kanyadaan | Marathi | |
2007 ! scope=row | Matra Ratra | ||
2008 ! scope=row | Bombay Black | ||
2009 ! scope=row | Garbo | ||
2009 ! scope=row | Kashmir Kashmir | English | |
2013 ! scope=row | Uney Purey Shahar Ek | Marathi |
+ List of Radhika Apte accolades ! scope="col" | Year ! scope="col" | Awards ! scope="col" | Category ! scope="col" | Film ! scope="col" | Result ! class="unsortable" scope="col" | |
2010 | Screen Award | Best Female Debut | Rakta Charitra | |||
2012 | Vijay Awards | Best Supporting Actress | Dhoni | |||
South Indian International Movie Awards | Best Supporting Actress – Telugu | |||||
2015 | Stardust Award | Best Supporting Actress | Badlapur | |||
Producers Guild Film Awards | Best Actress in a Supporting Role | |||||
Stardust Award | Performer of the Year – Female | Manjhi – The Mountain Man | ||||
2016 | Indian Film Festival of Los Angeles | Best Actress | Parched | |||
Indian Film Festival of Melbourne | Best Actress | |||||
2017 | Tribeca Film Festival Award | Best Actress in an International Feature Film | Madly | |||
2018 | International Emmy Awards | Best Actress | Lust Stories | |||
Screen Awards | Best Supporting Actress | Andhadhun | ||||
2019 | IIFA Awards | Best Supporting Actress | ||||
Zee Cine Awards | Best Actor in a Supporting Role – Female | |||||
iReel Awards | Best Breakthrough Artist | |||||
2020 | Palm Springs International Festival of Short Film | Best Midnight Shorts | The Sleepwalkers | |||
Filmfare OTT Awards | Best Actor Female – Web Originals | Raat Akeli Hai | ||||
2022 | Pinkvilla Style Icons Awards | Super Stylish Universal Star | ||||
Lokmat Stylish Awards | Most Stylish OTT Star | |||||
Filmfare OTT Awards | Best Actor Female – Web Originals | Forensic | ||||
2023 | IIFA Awards | Best Supporting Actress | Monica, O My Darling | |||
2023 Filmfare OTT Awards | Best Supporting Actress (Web Original Film) |
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